Dante Gabriel Rossetti

The Beloved (The Bride)

Photograph: John Webb. © Tate Gallery

White lines
There were plenty of black faces on canvas in the 19th century -
but few behind the easel. Diran Adebayo on how racial prejudices were expressed in art

The Guardian        Review        p. 14        Saturday October 15, 2005
http://books.guardian.co.uk/review/story/0,12084,1591568,00.html
 

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